Contemporary Interest in Roots Music Kick-Started by 1991 Collaboration: Jerry Garcia and David Grisman Make Way Through Pop Standards, Bluegrass Classics, Folk Staples, and More on Garcia/Grisman
Mastered from the Original Master Tapes, Mobile Fidelity's Hybrid SACD Presents the Acoustic Album with Natural, Close-Up, Intimate, Detailed Sound
Jerry Garcia achieved monumental accomplishments over a prolific career, yet the guitarist never sounded better than on his first official collaboration with longtime friend and fellow instrumental maestro David Grisman. Indeed, contemporary interest in roots music can be directly traced to this stellar Grammy-nominated 1991 collaboration. Putting distinctive rustic spins on pop standards, blues classics, and folk staples, the kindred musical spiritsâ earnest authenticity and relaxed intimacy are matched only by virtuosic playing and superb production.
Mastered from the original master tapes, Mobile Fidelityâs hybrid SACD of Garcia/Grisman takes a record renowned for breathtaking sonics to another level. Originally released on Grismanâs fabled Acoustic Disc label and recorded at his plush studios, the album now sounds even more realisticâwith distinctive tones, palpable air, smooth vocals, three-dimensional soundstaging, balanced imaging, and timbral extension that mirror the feeling and experience of hearing live music in a small space. Unadorned with any post-production tricks or overdubs, Garcia/Grisman breathes with naturalism and presence. You will effortlessly detect the full body of the instruments, witness the woody grain textures, and get lost in the surprisingly velvety qualities of Garciaâs lullaby-like singing.
Pals since the mid-1960s, Garcia and Grisman bonded over their love for traditional folk and bluegrass. The two teamed up amidst what became a gold rush of top-notch productivity and creativity for Garcia. Partnering with bassist Jim Kerwin and percussionist/fiddler Joe Craven, the pair approaches every passage with innate ease, as if either musician could finish the others sentence. The affable chemistry and soothing interplay wash over a selection of songs as notable for their diversity as the way Garcia and âDawgâ turn them into the equivalent of old friends you havenât seen in years.
Exquisite melodies and jewel-shaped notes decorate the simple, convivial structures of tunes that hop, jump, skip, skitter, and bop. The atmosphere is reminiscent of the legendary gypsy-jazz exchanges between Django Reinhardt and Stephane Grappelli, and equally sharp. Swirling with Middle Eastern modality, the closing 16-minute-plus rendition of Grismanâs rippling âArabiaââcomplete with a section based on a Cuban fold themeâis alone enough worth the price of admission to this sensational session. But thereâs so much more.
The quartet delves into Celtic themes (âTwo Soldiersâ), jazz-grass (âGrateful Dawgâ), old-world ballads (âRussian Lullabyâ), and Appalachian flavors (âWalkinâ Bossâ) with nonpareil skill and soulfulness. Garcia and Grismanâs tandem picking throughout epitomize sublime. And for many listeners, the duoâs revised version of the Grateful Dead staple âFriend of the Devilâ ranks as the finest-ever recorded, the pace patient, the narrative vocals heartfelt, and the synchronous solos tailor-made for the enveloping progression. Better yet, itâs all captured in astonishing fidelity.
1. The Thrill Is Gone
2. Grateful Dawg
3. Two Soldiers
4. Friend of the Devil
5. Russian Lullaby
6. Dawgâs Waltz
7. Walkinâ Boss
8. Rockinâ Chair
9. Arabia